It started out as a variation of the Alien (ridley Scott) nest, when Dallas is captured by it in the Director's cut. It was a pretty detalied Copic in drawing on paper but when I started the painting in Photoshop CS 2, the concept transformed itself into a scene in hell.

The triangular composition where the diagonal character in cold colours cuts the hot red hell into 2 triangles in anguish and stretched tendons and muscles was focusing dynamism even thou there is no action, as the character is trapped/melted into the organic structure of hell.

One of my favourite personal works so far.

Hope you like it.